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Baldocchi Silvia, Barbagli

Walk for Chiusdino. From the looks too large for me the landscape that surrounds the village of stone. Then, when I reached those walls, I discover the winding streets that shake the houses, walk that every aspect of my visit to change ... and I realize that is the light to be extraordinary.
So every day I give myself an appointment with the sun, at the same time and same place, waiting to run up those stairs neglected and began to draw.

Silvia

CRITICAL

The innermost recesses, the most obscure passages, which are also the constraints of existential character, seem to be privileged subjects of the painting of the Silvia Baldocchi chooses which shots narrow, deep dark and light at the end of which, almost always dazzling, dazzling white in color breaks.
The path towards the light that appears to play in discharge is presented here as an additional source of pollution etudine is vanishing for daring to suggest the ambiguity of the fall and rise, is still unknown because the source of the intense glow. The canvases placed along the streets of Chiusdino, in a sort of hall of mirrors where the village suddenly splits and multiplies, spectacularly views and introduce new and unexpected depth. The metaphysical mystery evoked in a situation daily to determine while the loss of the dim ensi one real and forwarding in a virtual space whose depth is suggested by long profiles of stairs, by heightened sensitivity p ercettiva between light and shadow, a chromatic polyphony played with tones ranging from white to yellow to brown and ocher.
great interest in the preparatory drawings and sketches in which Baldocchi realize the organic nature of his artistic research tested the relationship between form and light with great wealth of technical and expressive.

Rosella Alberti

BIOGRAPHY

E 'was born in Lucca September 20, 1982. She graduated at the Accademia di Belle Arti in Florence at the school Adriano Bimbi. He currently lives and works in Lucca (LU).

2003
- Collective: "Signs of the body, the Body of signs" , green tapir (Villa Orsini), high Cascina (PI).

2005
- Collective: "the streets of the Mugello" , Convent of Bosco ai Frati Villa Cafaggiolo, Chapel of Trebbio Castle, San Piero a Sieve, Barberino or Mugello (FI).

2006
- Collective: "Arie park painting" , Villa Demidoff, Pratolino (FI), S. Galgano, Impruneta (FI).
- Collective: "On the magic between the hills and the sky of the Mugello. Angels of the Angel " , Convent of Bosco ai Frati Villa Cafaggiolo, House of Giotto, S. Piero a Sieve, Ba rberino Mugello, Vicchio (FI).
- Collective: "Hills and Heavens of the Mugello. The angels of Fra Angelico " , Pace University, Michael Shimmel Center for the Arts, New York City.

2007
- Collective: "On the magic between the hills and skies of the Mugello. Angels of the Angel " , Foundation Ca 'the Hurdy-Gurdy Museum of Modern Art and contemporary a, Zola Predosa (BO).

2008
- Collective: "The land of Chiusdino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey of San Galgano (SI) .

between two walls 2007 chalk and pigment on paper 21.3 x12, 8 cm

Chiasso Camperoni upwards of 2007 chalk and pigment on paper 31x22, 1 cm

Chiasso Camperoni upwards of 2007 Chalk and Pigment on paper 31x22, 1 cm




doors and steps 2007 Chalk and Pigment on paper 33.5 x20, 5 cm




Scale scales 2007 Chalk and Pigment on paper 34.5 x23, 5 cm

Hurt Neck From Sneeze

painter Niccolo ', painter and engraver

The stone is stationary, the water moves,
one is blank, the 'the other speaks.
uninterrupted listening to the dialogue.
Because even the stones speak,
also because the water is silent,
one o'clock moves slowly, the other
suddenly stops.
With my engraved signs
I make a single movement stopped.

Nicholas


CRITICAL

Barbagli "discover" the waterfall and the door in the streets of the country almost actual size. Reproduce the large sheets and the shattering roar of the water on the rocks.
The waterfall was the subject very dear to the Romantic painting in that it saw the example of the strength and power of nature: "Now the immense cliffs hung like a ruin on my head, now high and noisy waterfalls' water inundates me their thick fog. Now an eternal stream, beside a m'apriva abyss of not ardivan or eyes to fathom the immense depth " (Rousseau, La Nouvelle Heloise).
In the work of Nicholas Barbagli the force of nature becomes za for the sign and, like water marks the rock engraving Barbagli firm with strong mark on the very sound of the waterfall on the wood of the wood matrix.
The simplicity of the representation that recalls the elegant synthesis of eastern graphics, especially Japanese, is combined with classical monumentality of Western culture. The use of large format thanks to the chasing of the lines does not prevent these sheets to keep the character fresh sketch.
In the preparatory work is interesting that the introduction of color liquid penetrates between the grooves of the signs emphasizing the visual effect and sound dramatic burst of water: they are often painting the same way as musical scores: evocative sound of roaring water that falls from skimming and animating the sil Enzio roads.

Rosella Alberti

BIOGRAPHY

E 'born in Florence on June 27, 1980. He graduated at the Accademia di Belle Arti in Florence at the school Adriano Bimbi. Lives and works in Florence.

2005
- Collective: "the streets of the Mugello" , Convent of Bosco ai Frati Villa Cafaggiolo, Trebbio Castle Chapel, St. Peter a Sieve , Barberino del Mugello (FI).

2006
- Collective: "Cecchini art sentimental , Coffee the Redcoats, Florence.
- Collective: "Ex Nihilo" , California State University, Florence.
- Collective: "Students at the Buffalo Academy engravers" , the Bison Gallery, Florence.
- Collective: "On the magic between the hills and the sky of the Mugello. Angels of the Angel " , Convent of Bosco ai Frati Villa Cafaggiolo, House of Giotto, S. Piero a Sieve, Barberino del Mugello, Vicchio (FI).
- Collective: "Hills and Heavens of the Mugello. The angels of Fra Angelico " , Pace University, Michael Shimmel Cente r for the Arts, New York City .

2007

- Collective: "On the magic between the hills and skies of the Mugello. The gels an Angel " , Foundation Ca 'the Hurdy-Gurdy Museum of Modern and Contemporary Art, Zola Predosa (BO).

2008
- Collective: "The land of Chiusdino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey of San Galgano (SI) .

Studio Cascade 2008 color woodcut on paper 18x34 cm




The sound of 2008 woodcut on paper 20x38 cm





Three waterfalls 2008 woodcut on rice paper 19x26 , 5 cm

Male with female 2008 woodcut on rice paper 37.5 x 20 cm




More water 2008 woodcut on paper 37x20 cm

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Benetazzo Matthew, painter Yulia

Street, in the streets outside the houses,
way between the middle of the afternoon el'imbrunire pm,
street encounter between nature and streets, between the shadow and the green light to burn,
away with the look of the houses and smoke
paint the place of this story.

Matthew

CRITICAL

Matthew Benetazzo works with enthusiasm, producing dozens of sketches, the village of Chiusdino a stimulus for research on color, material, composition.
Especially the designs are very interesting especially where the proposed unbundling of elements of the landscape to experience in the use of abstraction and casual touches of color that results antinaturalistic also through other media placements that appear in fog, both in ' processing forms a very effective point of view and in some cases wind through the landscape format of the fourteenth century predella.
also presented the idea in the great canvas of the landscape is contaminated with the quotation of the great Tuscan tradition: it is the reinterpretation of the Annunciation Beato Angelico Museum of S. Marco, of which the division takes Benetazzo composite right sees the inside of a cloister surrounded by a vault in which sits a figure in the melancholy position, where the left replaces hortus conclusus Angelico a broader landscape taken from the slopes chiusdinese land that waits for a first look at a floor guided by a number of intermediate levels.
parts of the painting are also characterized by two different kinds of perspective that creates in the viewer a sense of loss which he has already used the lesson Renaissance Paolo Uccello, and which is accentuated in the presence of humans (almost unique among all work is exposed).

Rosella Alberti

BIOGRAPHY

E 'birth Borgo Sesia (VC) October 18, 1978. He graduated at the Accademia di Belle Arti in Florence at the school Adriano Bimbi. He lives and works in Capannoli (AR).

2000
- Collective: "Young restless Cards" , Accad emia Musicale, Florence.

2001
- Collective: "Figure. Young artists to Hell Pasquinucci " , Capraia Fiorentina tina (FI).

2005
- Collective: "Dialogue with the abandonment" , Perelli Bucine Church and St. Mary of Levane (AR). - Collective: "Persenze. Young artists critical " , Antiche Stanze di Santa Caterina (PT).

2006
- Collective: "600 years in San Domenico di Fiesole" , Convent of San Domenic or Convent of San Marco, Florence.

2008
- Collective: "The land of Chiusdino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey San Galgano (SI) .

Waiting for the evening 2007 Charcoal, Leaf Pigment and gold on paper 13x22 cm





2007 Rosalinda's house coffee, barley, Road map and Charcoal on paper 25x35 cm





study landscape 2008 Coffee, charcoal and pigment on paper 19.5 x25, 5 cm





The road to Siena 2007 Pigment, Road map and charcoal on paper 25x35 cm





Mystery Night 2008 Coffee and Charcoal on paper 35x25 cm

Does Maxolon Interfere With The Pill?

Knish, painter

I lived and worked for a year, between Abbey San Galgano and the country of Chiudino, Duran which I could observe the ongoing transformation of the landscape.
see the fields of sunflowers and wheat to be born and mature, then my eyes became more nostalgic, it's July.
Tomorrow maybe I will see them again and not to their place will be the plowed land, raped and violent at the same point.
E 'over. E 'finished caressed that sweet corn rustling in the wind, that sea of \u200b\u200bgolden yellow that sucks me in, so sweet and soft I scratched my legs.

Yulia

CRITICAL

The alternation of seasons and colors : nature month by month changes his palette and Yulia noted above in some detail vegetation, the endless color and scaling the violent light that emits from the fields of ripe wheat. Here, the fried yellow summer burns bright colors of sunflowers, purple and greens support the explosion of spring. The sign is dizzying twists, the tension distorts the visionary elements of nature, the color lights in a hallucinatory. The external becomes internal and the land of Chiusdino is evoked powerfully through the windows of the houses. Rollover transaction that makes it somewhat paradoxically inconsistent volume of the building which is to become a sort of fifth artifice ial behind which manifests the real landscape, that of painting.
A shuttered are glimpses of nature as if the wall suddenly turning into a painting behind which sees a field of sunflowers.

Rosella Alberti

BIOGRAPHY

E 'was born in Bishkek in Kyrgyzstan 25 July 1979 and moved to Israel in 1990. Then he graduated from the Academy of Fine Arts in Florence at the schools of the Adriano Bimbi. currently lives and works in Impruneta (FI).

1995-1997
- Collective Ashkelon, Israel.

2005
- Collective: "the streets of the Mugello" , Convent of Bosco ai Frati Villa Cafaggiolo, Chapel of Trebbio Castle, St. Peter a Sieve, Barberino del Mugello (FI).

2006
- Collective: "Arie park painting" , Villa Demidoff, Lawn them no (FI), S . Galgano, Chiusdino (SI).
- Collective: "On the magic between the hills and the sky of the Mugello. Angels of the Angel " , Convent Bosco ai Frati Villa Cafaggiolo, House of Giotto, S. Piero a Sieve, Barberino del Mugello, Vicchio (FI).
- Collective: "Hills and Heavens of the Mugello. The angels of Fra Angelico " , Pace University, Michael Shimmel Center for the Arts, New York City.

2007
- Collective: "On the magic between the hills and skies of the Mugello. The an frosts Angel " , Foundation
Ca 'the Hurdy-Gurdy Museum of Modern and Contemporary Art, Zola Predosa (BO).

2008
- Collective: "The land of Chiusdino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey of San Galgano (SI) .

Fields in Spring 2008 Mixed media on paper 22x20 cm




Spring 2008 Mixed media on paper 22x20 cm




Shadows 2008 Mixed media on paper 22x20 cm




Study for the field of sunflowers 2008 Mixed media on paper 22x20 cm




Sunflowers dry 2008 Mixed media on paper 22x20 cm

Pokemon Soul Silver Full English Rom

Gemignani Nicole, Ayako Harashima

summer 2006, occurred on my meeting with the church of San Galgano and the landscape around them. The charm that I tried, in this first meeting, it became later in the summer of confusion and bewilderment.

I looked outside, but my attention, like my days were concentrated inside the walls and long corridors. I found a road was closed and narrow. I sat there, between the humidity and the smell of sulfur and tried to see beyond the walls.
I tried to prire his eye.
starting to look out, slowly, through the spaces and into the light.

Nicoletta

CRITICAL

In the work of the twentieth century Tuscan Gemignani the call is visible in the plant of the same composition: the trees, the road cake le cas e.
The Gemignani does not fascinate the color but u used together with the highly adaptable technique pictorial effect of black and white: it materializes as a strong sensitivity to tonality and use of chiaroscuro in the whole range of grays from white to black spending and vice versa.
The young artist offers a glimpse of the landscape that brings memories of colors and compositions related to Piero, its light, its sign, its Tuscan landscape as the territory that is hosting us, will hear the sober Cutting composition that explores the tectonic structure of hills and ridges and the soft coloring and delic ato, suitable to make the quiet tones of winter days.
In preliminary studies we easily understand the process of r EDUCING progressive Gemignani, referred to as the real image. Floor after floor has been marked gliata the depth of vision in proposing it perceptually u na perspective made of pure intuition color.

Rosella Alberti

BIOGRAPHY

E 'was born in Carrara July 19, 1982. She graduated from ACC ademir of Fine Arts in Florence at the school Adriano Bimbi. Lives and works in Florence.


2005 - Collective: "the streets of the Mugello" , with wind Bosco ai Frati Villa Cafaggiolo, Chapel of Trebbio Castle, San Piero a Sieve, Barberino Mugello (FI).


2006 - Collective: "Arie park painting" , Villa Demidoff, Pratolino (FI), S. Galgano, Chiusdino (SI).
- Collective: "On the magic between the hills and the sky of the Mugello. Angels of the Angel " , Convent of Bosco ai Frati Villa Cafaggiolo, House of Giotto, Piero S. a Sieve, Barberino del Mugello, Vicchio (FI).
- Collective: "Hills and Heavens of the Mugello o. The angels of Fra Angelico " , Pace University, Michael Shimmel Center for the Arts, New York City.

2007

- Collective: "On the magic between the hills and skies of the Mugello. Angels de ll'Angelico " , Foundation Ca 'the hurdy gurdy, Museum of Modern Art and Cont emporanea, Zola Predosa (BO).

2008
- Collective: "The land of Chiusdino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey of San Galgano (SI) .

Studio Landscape 2008 Mixed media collage on woodpaper 34.5 x22, 5 cm

Study of landscape 2008 Mixed media collage on woodpaper 34.5 x22, 5 cm





Studio 2008 pigment and pencil on paper 28x17, 5 cm

The Landscape Studio 2008 pigment and pencil on paper 28x17, 5 cm

Studio Landscape II 2008 and Pigment Pencil on paper 28x17, 5 cm

Esophagitis And Trouble Sleeping

Harassment and kitchens

So much has happened this week.

Yesterday Orsacchietto told her that we decided to live together. Can not contain it, would you like more time for both, not to wear a very beautiful story.

Last night you came out with Vik and your old friend who worked in Budapest with you, now works 12 hours a day as an auditor in a large consulting firm. Did you enjoy it enough, apart from the VATT that Vik is rather off, still undecided, repetitive, and would like to explain that there is a man for that. Before arriving dinner you creepy thing happened: you were in meters, at some point you're up and wait for the train stops at Porta Genova. You look around quite distracted, until you noticed that an Asian and agitated with a horrible GIGN was staring at you and calling you was about. He was sitting behind the other passengers and exposed his penis huge above the seat in front of him, and he was masturbating and I laughed in his face pleased, and was full of people, a man was sitting in front of him and this horrible scene , had his penis on him. and those who were close to him have said or done nothing, the silence. You obviously have a look and you're immediately shot down, but six remained disgusted, disgusted, frightened. You have already happened in Budapest such a thing, and you've heard similar stories from one of your former colleague, but you're really sad and empty. Last night you slept wrong and now you're afraid to get off the metro. It was 9! If that was not enough, you were to rise while the escalators you heard that someone who smelled of alcohol I was glued to him, and in Lima, before taking the green, an alcoholic I was asked to send a text message to his son to say that had recovered the money for shopping and that was coming back. Pagartelo wanted 50 cents.

You're broken. Think of the thousands of rapes a day, the weakness of women, the shame, the perversions. A one who masturbates in meters in the midst of dozens of people without you can access a phone or call the police.

However now you are on the kitchen project, you decided to buy a new game and the small software architect on the design of spaces for Ikea, but they fought with a few square meters, with the monotony of the furniture in a row, with a mansard roof. When the project is

Pronda shares it.

Ah, you've also decided that work for 6 months in a large multinational company such as HR Specialist. You said goodbye to the place as an editor for an indefinite period.

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painter, painter Francesco Rosato

The olive trees in a row down the hill, stretched toward the sun rising behind the Maremma.

I think I've seen them before.
As pilgrims prostrated themselves d forward to the temple in Lhasa?
As the faithful who were praying in the Ganges River?

Something very sacred.
Something untouchable.

Aya

CRITICAL

The landscape of the area becomes chiusdinese evocazio it opera Ayako Harashima that uses unusual colors to merge in a continuum stones, the earth, the sky.
Surely the lesson of Ayako metabolized European avant-gardes of the twentieth century (by the Impressionists the Fauves expressionists) by extrapolating a summary staff mediated by artistic culture, Eastern belongs to it and making it sensitive to the sign and design: trees absorb and reflect the same colors wheat and sky, in the blue and pink, the paths sunrise from shivers of light, t Raduc the aspiration of the artist to recreate on canvas the optical sensation of light vibration, releasing the color of the border contours. The drawings are especially evident the implications of the extraordinary sensitivity of Japanese calligraphy and a ' particular attention to the use of fine drawing and pastel . The young artist also offers its the preparatory sketches and studies a reinterpretation of the landscape of Chiusdino highly effective expression where each stroke, every sign, every color shall bear the need to lyric to express emotion.

Rosella Alberti

BIOGRAPHY

E 'Ichikawa was born in Japan on 28 April 1974. She studied German literature at Tokyo and degree at the Academy of Fine Arts in Florence ep held the sc uola Adriano Bimbi. currently lives and works in San Francisco (USA).


2005 - Collective: "Made / done" , California State University, Florence. - Staff: "The Night" , Coffee Night, Florence.


2006 - Collective: "Arie park painting" , Villa Demidoff, Pratolino (FI), S. Galgano, Chiusdino (SI).
- Collective: "Ex Nihilo" , California State University, Florence . - Collective: "On the magic between the hills and the sky of the Mugello. Angels of the Angel " , Convent of Bosco ai Frati , Cafaggiolo Villa, House of Giotto, S. Piero a Sieve, Barberino del Mugello , Vicchio (FI). - Collective: "Hills and Heavens of the Mugello. The angels of Fra Angelico " , Pace University, Michael Shimmel Center for the Arts, New York City.

2007

- Collet tive: "On the magic between the hills and skies of the Mugello. Angels of the Angel " , Foundation Ca 'the Hurdy-Gurdy Museum of Modern and Contemporary Art, Zola Predosa (BO). - Collective: "Visually. A house for painting impromptu " , Viper Theatre, Florence.

2008
- Collective: "The land of Chiusdino painted and hung on window , the historic center of Chiudino, Pieve di San Martino, abbey of San Galgano (SI) .

Towards the mill 2007 14.5 x 17 cm Acrylic on woodpaper





Ash 2007 Acrylic on woodpaper 15x15 cm





Hitori to Ash 2007 Acrylic on woodpaper 14x9 cm





Entry 2007 16.5 x 10 cm Acrylic on woodpaper

Hutari behind the abbey 2007 Oil on canvas 30x22 cm