not submit passively to the vision of reality, but participates in the second person as if you were watching from a window inside your body.
From there you can decide without any alteration, naturally.
Francis
CRITICAL
Francis
CRITICAL
In preliminary studies Rosato experiences perception of the landscape at different times of the day and then the in its changing light and shadows with great attention to the lesson Macchiaioli.
The young artist uses different techniques, passing, according to the need , dall'acquerello in oil pastel but always preferring a palette dominated lands, yellow and brown colors of the territory chiusdinese.
In some cases, a feverish anxiety manifested in furious studded with brush strokes that cover the sky with flaming shapes, in other boz the vibrancy of the yarn guides touch that runs through fields, trees and hills not prevent the search for a compositional balance, a firm structure of space. Perhaps the closest to the poetic impressionist for the freshness of the frame, to the emphasis given to presence of the sky and the use of casual color that is not ashamed to cover blue the hills and the clouds pink and orange.
The young artist uses different techniques, passing, according to the need , dall'acquerello in oil pastel but always preferring a palette dominated lands, yellow and brown colors of the territory chiusdinese.
In some cases, a feverish anxiety manifested in furious studded with brush strokes that cover the sky with flaming shapes, in other boz the vibrancy of the yarn guides touch that runs through fields, trees and hills not prevent the search for a compositional balance, a firm structure of space. Perhaps the closest to the poetic impressionist for the freshness of the frame, to the emphasis given to presence of the sky and the use of casual color that is not ashamed to cover blue the hills and the clouds pink and orange.
Rosella Alberti
2005 - Collective: "the streets of the Mugello" , Convent of Bosco ai Frati Villa Cafaggiolo, Chapel of Trebbio Castle, San Piero a Sieve, Barb Erino del Mugello (FI). - Collective: Biennial of Engraving " , Monsummano Terme (PT).
2006
- Collective: "Ex Nihilo" , California State University, Florence. - Collective: "On the magic between the hills and the sky of the Mugello. Angels of the Angel " , Convent of Bosco ai Frati , Cafaggiolo Villa, House of Giotto, S. Piero a Sieve, Barberino del Mugello, Vicchio (FI).
- Collective: "Hills and Heavens of the Mugello. The angels of Fra Angelico " , Pace University, Michael Shimmel Center for the Arts, New York City.
2007
- Collective: "On the magic between the hills and skies of the Mugello. Angels of the Angel " , Foundation Ca 'the Hurdy-Gurdy Museum of Modern and Contemporary Art, Zola Predosa (BO). - Collective: "Visually. A house for impromptu painting " , Viper Theatre, Florence.
2008
- Collective: "The land of Chiusdino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey of San Galgano (SI) .
2008
- Collective: "The land of Chiusdino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey of San Galgano (SI) .
fields behind San Galgano 2007 Pastel on paper 16x20 cm
Cypress 2007 Mixed media on 22x30 cm woodpaper
Trees on the road 2007 Pastel on paper 13x18 cm
Abbey 2007 Pastel on paper 16x23 cm
Homeward 2007 Pastel on cardboard 24x18 cm
0 comments:
Post a Comment