From the bridge on road, the road rises straight the woods and breaking rocks between curves and rises to the hermitage. Enclosed in the narrow hills I could not imagine his presence ... so I painted!
Marianna
Marianna
CRITICAL
Marianna Rosie seems to prefer the memory of human history even in the forms of popular tradition Siena cited by Dante's story of Pia de Tolomei.
studies and drawings seem to bring empty sets in which at any moment could relive consumed and the drama of nob ile Siena narrated by Dante pages of the fifth canto of Purgatorio.
The young artist prefers images of secret emotions, a dream through which aspects of nature are highly processed er estituiti values \u200b\u200b symbolic planting strongly psychological. Case insulated walls dazzled infused with light or shadows, landscapes are quiet, unintelligible out of their formal appearance, almost metaphysical.
Sienese architecture mentioned in the form of a building Gothic, lives far from town but mindful of his history and culture: from Simone Martini to the twentieth century the Tuscan Rosie manages to amplify the silence of site , and the landscape outside becomes the metaphor of "landscapes of the soul" of U. Galimberti.
BIOGRAPHY studies and drawings seem to bring empty sets in which at any moment could relive consumed and the drama of nob ile Siena narrated by Dante pages of the fifth canto of Purgatorio.
The young artist prefers images of secret emotions, a dream through which aspects of nature are highly processed er estituiti values \u200b\u200b symbolic planting strongly psychological. Case insulated walls dazzled infused with light or shadows, landscapes are quiet, unintelligible out of their formal appearance, almost metaphysical.
Sienese architecture mentioned in the form of a building Gothic, lives far from town but mindful of his history and culture: from Simone Martini to the twentieth century the Tuscan Rosie manages to amplify the silence of site , and the landscape outside becomes the metaphor of "landscapes of the soul" of U. Galimberti.
Rosella Alberti
2003 - Collective: "Mugello Painting" , Convent of Bosco ai Frati Villa Cafaggiolo, Chapel of Trebbio Castle, San Piero a Sieve, Barberi of no Mugello (FI); Fonda tion Ca 'the hurdy gurdy, Museum of Modern and Contemporary Art, Z ola Predosa (BO).
2004 - Collective: "People and places in Mugello. Figure studies Action , Convent of Bosco ai Frati Cafaggiolo Villa, Chapel Trebbio Castle, San Piero a Sieve, Barberino del Mugello (FI); Foundation Ca 'the Hurdy-Gurdy Museum of Art Modern and Contemporary Art, Zola Predosa (BO).
2005 - Collective: "People and places in Mugello. Figure studies " , Villa Caruso, Hospital of St. Anthony, Lastra a Signa (FI). - Collective: "Living Landscape" , Fondazione Sergio Vacchi, Grotti Castle, Villa di Corsano (SI); Galleries Com Unali Art, Palace of Ridatto and former Fish Market, Cesena (RI).
- Collective: "Dialogue with the abandonment" , Perelli Bucine Church and St. Mary of Levane (AR).
2006 - Collective: "600 years in San Domenico di Fiesole " , Convent of San Domenico Convento di San Marco , Florence.
2007 - Group Exhibition: Exhibition of drawings , Yes Gallery, Toyama, Japan.
2008
- Collective: "The land of Chiudino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey of San Galgano (SI ).
Hermitage of Saint Lucia 2008 Ink and graphite on paper 32.5 x 35 cm
Afa 2008 Ink and Graphite on paper 25x35 cm
Like a cathedral 2008 Ink and graphite on paper 25x35 cm
In 'garden 2008 Ink and graphite on paper 25x35 cm
Vision 2008 Ink and graphite on paper 25x35 cm
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