Street, in the streets outside the houses, way between the middle of the afternoon el'imbrunire pm,
street encounter between nature and streets, between the shadow and the green light to burn,
away with the look of the houses and smoke
paint the place of this story.
Matthew
CRITICAL
Matthew Benetazzo works with enthusiasm, producing dozens of sketches, the village of Chiusdino a stimulus for research on color, material, composition.
Especially the designs are very interesting especially where the proposed unbundling of elements of the landscape to experience in the use of abstraction and casual touches of color that results antinaturalistic also through other media placements that appear in fog, both in ' processing forms a very effective point of view and in some cases wind through the landscape format of the fourteenth century predella.
also presented the idea in the great canvas of the landscape is contaminated with the quotation of the great Tuscan tradition: it is the reinterpretation of the Annunciation Beato Angelico Museum of S. Marco, of which the division takes Benetazzo composite right sees the inside of a cloister surrounded by a vault in which sits a figure in the melancholy position, where the left replaces hortus conclusus Angelico a broader landscape taken from the slopes chiusdinese land that waits for a first look at a floor guided by a number of intermediate levels.
parts of the painting are also characterized by two different kinds of perspective that creates in the viewer a sense of loss which he has already used the lesson Renaissance Paolo Uccello, and which is accentuated in the presence of humans (almost unique among all work is exposed).
Especially the designs are very interesting especially where the proposed unbundling of elements of the landscape to experience in the use of abstraction and casual touches of color that results antinaturalistic also through other media placements that appear in fog, both in ' processing forms a very effective point of view and in some cases wind through the landscape format of the fourteenth century predella.
also presented the idea in the great canvas of the landscape is contaminated with the quotation of the great Tuscan tradition: it is the reinterpretation of the Annunciation Beato Angelico Museum of S. Marco, of which the division takes Benetazzo composite right sees the inside of a cloister surrounded by a vault in which sits a figure in the melancholy position, where the left replaces hortus conclusus Angelico a broader landscape taken from the slopes chiusdinese land that waits for a first look at a floor guided by a number of intermediate levels.
parts of the painting are also characterized by two different kinds of perspective that creates in the viewer a sense of loss which he has already used the lesson Renaissance Paolo Uccello, and which is accentuated in the presence of humans (almost unique among all work is exposed).
Rosella Alberti
BIOGRAPHY
E 'birth Borgo Sesia (VC) October 18, 1978. He graduated at the Accademia di Belle Arti in Florence at the school Adriano Bimbi. He lives and works in Capannoli (AR).
2000
- Collective: "Young restless Cards" , Accad emia Musicale, Florence.
2001
- Collective: "Figure. Young artists to Hell Pasquinucci " , Capraia Fiorentina tina (FI).
2005
- Collective: "Dialogue with the abandonment" , Perelli Bucine Church and St. Mary of Levane (AR). - Collective: "Persenze. Young artists critical " , Antiche Stanze di Santa Caterina (PT).
2006
- Collective: "600 years in San Domenico di Fiesole" , Convent of San Domenic or Convent of San Marco, Florence.
2008
- Collective: "The land of Chiusdino painted and hung on the window , the historic center of Chiudino, Pieve di San Martino, abbey San Galgano (SI) .
Waiting for the evening 2007 Charcoal, Leaf Pigment and gold on paper 13x22 cm
2007 Rosalinda's house coffee, barley, Road map and Charcoal on paper 25x35 cm
study landscape 2008 Coffee, charcoal and pigment on paper 19.5 x25, 5 cm
The road to Siena 2007 Pigment, Road map and charcoal on paper 25x35 cm
Mystery Night 2008 Coffee and Charcoal on paper 35x25 cm
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